Other Music International
New Music Buyer's Guide
With Real Audio and Easy-Buy Link
Presented by USOUNDS: Le Internacional
BELLE & SEBASTIAN
"Jonathan David" (Matador/Jeepster) CD
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Eleven minutes of pop glory (if you get the 7", it's missing the
languid 'take your carriage clock and shove it' led by maudlin
strings). The title track places a piano line that's become nearly
habit to B&S amidst lovely pop with more harmonies than usual,
and a touch of a minor key. 'Loneliness' tracks along with electric
piano and a bopping late Beatles guitar sound (a la 'Octopus'
Garden'). Lyrics that view a/your life with a kind of detachment,
which they and St. Etienne are so good at writing. Album still
not scheduled. Though not raising the bar, they're keeping it
quite high with this EP.
JORGE BEN
"Africa Brasil" (Philips, Japan)
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In my personal pantheon of Brazilian musicians, Jorge
Ben sits next to, not beneath, Ze and the Mutantes. Yet among
Tropicalia fans, he always seems to slip through the cracks, never
mentioned in the same breath as Veloso, Gil, Costa. Maybe that's
because he didn't rock as hard, nor did he take as outspoken of
a political stance--but his pop melodies are the kind that etch
their way into their brain, oft-covered by his contemporaries
across the board, from bossanova musicians to experimentors. This
CD reissue has been available for about three years, but has been
really hard to find. Many cite it as his best, and a bunch of
tracks from this album alone were lifted for the very first Luaka
Bop "Brazil Classics" comp. For me, it's tied with "A Tabua de
Esmerelda", and though both albums were only recorded two years
apart, they're further than that stylistically--"Tabua" is straight
Brazilian pop, "Africa Brasil" has been called the best Brazilian
funk album ever made. With a 26-piece band (well over half of
those being percussionists), the rhythms, both African and Brazilian
in origin, are king. Yet this army of drumming (and squeaking,
and spattering) is shaped and definable, never running ragged
but toughly contained, a powerhouse of energy whirling in pop's
service, and absolutely magnificent. [RE]
THE YEAH "s/t" (Wondersound)
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Holding up the Beach Boys and sunny So. Cal new wave (Bangles)
as spiritual ancestors, The Yeah throw down some orch-rock, but
bring in the thumping bass and beats of dance music. A bit like
big contempo J-Pop (I could see this on Emperor Norton no prob.),
and for fans of everything from Thievery Corporation to the Aislers
Set. Great sampling use and choice (OM NYC's DJ Duane contributed
some production tidbits in this dept.), especially in the approximately
one-minute intros that usually precede and contrast (but complement,
too) each song. Lightweight but not fluff, my only complaint is
that the band (DJ Wade and Jackie G) are a bit disingenuous in
how just plain/pop-template-ish their lyrics are -- mostly because
you can tell, from the music especially, that the band is much,
much smarter than their words reveal (something I now dub the
"Redd Kross effect"). [RE]